Answer:
Manisha had seen a fish caught in a whirlpool, and her memory of it helped her understand the author’s description.
Explanation:
Answer:
<u>A1:</u>
mi (rest) sol \ la ti do ti \ do ti do re \ do (rest) (rest) \ sol la \ ti (rest) do \
1 2 3 1 2 & 3 1 & 2 3 1 2 3 12 3 1 2 3
ti la ti \ do (rest) (rest)
1 2 3 1 2 3
<u>A2:</u>
do re do ti \ do re (rest) \ mi re \ do (rest) (rest) \ mi fa sol fa \ sol la sol la \
1 2 & 3 1 2 3 12 3 1 2 3 1 & 2 3 1 2 & 3
sol fa (rest) \ mi (rest) (rest)
1 2 3 1 2 3
Explanation:
This piece is written in 3/4 time, which means that there are 3 beats in every measure and that the quarter note gets the beat. So, every measure adds up to 3 quarter notes.
Measure one in A1 only has quarter notes, so we can label each one as the next number until we get to 3.
In a measure with eighth notes (measure three in A1), we label the first beat of the eighth note as a number, and then the second beat as & because an eighth note is half of a quarter note, so it doesn't quite reach the next number yet. The exception is in measure two of A1 where the first beat is labeled as & so that the number can fall on the last best of the measure.
In a measure with half notes, (measure five in A1) label the entire half note as both beats one and two because it is equal to two quarter notes.
Solfege is do re mi sol la ti do. A2 starts on do because this piece is in the key of C and the starting note is a C. A1 starts on a mi because the starting note is E, two notes up from a C. Because of this, we go up two on the solfege scale, and that's the starting point.
Answer:
cave paintings
Explanation:
I believe the answer is cave paintings. Back then, people didn't have paper and pencils so they used mud, clay, etc. and drew on the walls of caves and such.
brainly.com/question/3228488
The most impressive aspect of ancient Egyptian symbols is the consistency of the symbols.
Explanation:
The Egyptian hieroglyphic script was one of the writing methods practiced by old Egyptians to designate their literature. Because of their graphic style, Herodotus and other great Greeks thought that Egyptian hieroglyphs were something divine, so they related to them as 'holy writing'.