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therefore we will not have to pay the rent until we are back in the air water is a white one in which was early in and heard of a crush Age at a higher rate of a crush Age with a black leggings then a black bag will not fit your hair
yh I have to be careful to be honest and worry and worry and worry and worry and worry and I am just back from a good time stopped working
<span>Nellie Bly entered the mental facility "undercover" with the sole purpose of exposing the neglect and terrible conditions the patients faced.
</span><span>"10 Days in a Mad-house" could be considered research and journalism because it tells a true story based on investigation and research for the truth. It is not a piece of fiction, nor a didactic one. It's a book based on a series of articles made with the purpose to uncover a tremendous situation, with the aim to provide better solutions.
</span>She builds the tension of events by presenting the most horrific last.<span>
Nellie Bly </span><span>composes her journalistic piece "Ten Days in a Mad-House" and invoked her readers to anger by building the tension of events by presenting the most horrific last. In this way, people reacted in a very angry way because the last one is the one that is most likely to be remembered well by the people.
</span>The conditions of mental-health facilities are atrocious for the patients.
The central idea from "Ten Days in a Mad-House" is that the conditions of mental-health facilities are atrocious for the patients. The book is a collection of articles made by Nellie Bly, who went undercover in mental-health facilities in order to prove that the conditions of the facilities were tremendous for the patients.
They are meant to be entertaining and present topics that will engage the reader and draw the reader into a narrative plot.
<span>"A Quilt of a Country", "Here is New York," and "10 Days in a Mad-house" do not have in common their entertaining function, as they are not a narration made for entertainment purpose but for informative purpose. So, they do not engage the reader in order to entertain but to inform. The plot is based on the fact presented.
</span>They only present facts regarding a topic
<span>Informative texts are different from other types of writing and literature because they only present facts regarding a topic, while others forms of text could present ideas that come from imagination and do not have a correspondence with real fact, for example. Informative texts have the aim to inform. </span>
The piece of print media that I will chose is "A Quilt of a Country" by Anna Quindlen. This was a commentary published in "Newsweek" after the terrorist attacks on September 11, 2001.
The text "A Quilt of a Country" discusses the role of diversity in America, and how this diversity has shaped us as a nation. The publication's agenda, as well as the articles's agenda, is to avoid falling into hate and fear after the traumatic event that occured on September 11. The author worries that this event will be used to talk badly about foreigners or discourage diversity and immigration. She wants to explain why we should not let this be the case.
The subject is the role of diversity in America, and how this has shaped our culture. The occasion is the September 11, 2001 terrorist attacks. The audience is all the American population. The purpose is to convince people that diversity is a positive force in our country, and not something to be hated and feared.
The article is extremely clear and persuasive. The author uses several rhetorical devices including logos, ethos and pathos. She also employs an extended metaphor in which she compares a quilt to America. The quilt is meant to represent a combination of very different patterns and styles that nevertheless work well together. She argues this is similar to the combination of cultures that exist in the country.
Ultimately, the metaphor, as well as the writing, are very effective in conveying the message of the author. They are also effective in demonstrating that diversity in America is something that should be cherished, and not feared.