Answer:
The family members' differing views of their heritage
Explanation:
The mother and her two daughters , Maggie and Deed have a discussion about the future use of the handmade quilts. The quilts were made by Maggie and Deed's grandmother. The girls 'mother wants to pass the quilts onto Maggie because she will use them and in this way she will keep the family's heritage alive. Unlikely, Deed wants to place the quilts onto a wall and use them to decotare the house. For Deed the quilts belong to the past.
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Answer:
Alice Walker published "Everyday Use" in 1973, in the early years of the Afrocentrism movement in America. This social movement examined the European cultural dominance over nonwhites and led to a renewed interest in and embrace of traditional African culture as a form of self-determination.
Explanation:
Dee's decision to take the name Wangero Leewanika Kemanjo, she explains to her mother, is because she "couldn't bear it any longer, being named after the people who oppress me." The shedding of European names in favor of African or African-sounding names became popular during the civil rights and black power periods in America that occurred around the time Walker published the story.
Dee/Wangero is actively pursuing her own cultural identity as a modern African American woman, and part of the process for her involves ridding herself of her birth name. Dee/Wangero's mother likes the colorful dress and jewelry she wears, and she offers to go along with her daughter's new name. When she denies Wangero...
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A young Nigerian writer living in New York City returns to Lagos in search of a subject and himself.
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Visiting Lagos after many years away, Teju Cole's unnamed narrator rediscovers his hometown as both a foreigner and a local. A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.</span>