Answer:
singer's language
Explanation:
Leonard Bernstein was widely known as a musical personality in the United States. In one of his Television scripts, titled "Folk Music in the Concert Hall" he asserted that, rhythms and accents in folk music reflect the singer's language, how they talk, and specifically in terms of poetry.
Hence, in this case, according to Leonard Bernstein rhythms and accents in folk music reflect the "Singer's Language"
Answer:
Explanation:
<u>The name of the song "Masdan Mo Ang Kapaligiran" in English literally means “Look at the environment”.</u> It is a 70s hippie song from the Filipino rock band Asian. The lyrics talk about environmental issues, how nature is changing, and how people are polluting it. <u>The song refers to the pollution of the air, disappearance of the trees, contamination of the rivers. </u>
<u>Authors try to ask people to think more about their future, the world in which the children will live, and not harm what is around them. They think progress is a good thing, but not if it goes against nature and if it kills the resources of the earth. Finally, they sing how everything came from God and that, if we continue to abuse it, one day, we will disappear as well.</u>
Answer: Total Serialism is another term for indeterminate music
Explanation:
Hi, you've asked a question that seems incomplete. However, I answered from a general musical perspective.
Answer:
<u> b. features melody followed by taqsim section.</u>
Explanation:
Note, the term Al-Shaghal is sometimes used to refer to a form of musical production that involves several musicians playing the same melody but in different styles, which is usually followed by a tasqsim section.
A tasqsim section often involves a form of musical expression used by Arabian musicians to express their emotions in the course of a musical performance.
Answer:
Movie audience is worldwide, coming from various backgrounds and age ranges. Movies are available nearly everywhere, and the target audience is much broader and universal. The Theatre audience is focused on the local population and their interests and background. The target audience must be adapted for the specific play, interested in the production, and be able to afford the ticket. Play audience has more intention and is more participating in the experience.
Explanation:
Movies are distributed worldwide and in today’s world, they can be seen almost anywhere – from airplanes, over computers, to cinemas. Movies can be translated easily and there is a chance someone from across the globe will watch a certain movie. <u>The audience for movies is much broader and more global, so when making a movie the director should consider how will it be portrayed worldwide in different contexts and on different screens</u>. They can be adapted to be shown to all age groups, all language groups, and all cultures. The movie audience is also not as active as the theatre audience – the production team and the actors do not witness the reaction right away. Also, the movie stays available for a long period, and when developing it one should consider how will it be portrayed to the audience in a few years. Therefore, <u>the audience for the movie is global, broad, and more passive.</u>
Play is presented to the local audience, in one certain theatre for a short period. There are not many plays that are distributed in other countries and it is harder to translate a play. <u>So the audience for the play is the local audience and the director should consider who is living in proximity to the theatre when developing the idea.</u> The play shown in the US will have to be limited to the experience of the US audience, while the French audience will have different demands and understand different cultural contexts. Also, <u>people who go today to the theatre are considered more well-off and invested in the play</u> – you can’t just accidentally catch the play on TV, you have to intentionally buy the ticket for it. So the developing team should consider how to attract people to go and buy the tickets more easily. <u>The expensive plays will be shown to the more high-standing audience, and small, local theaters will attract a more niche audience</u>. The audience can react immediately – whether they laugh or leave the theatre affects the momentary experience of the play. Plays are shown only for a certain period, so the play should be adapted limited to the present day and age. <u>Therefore, the director must consider which theatre the play is performed in, who can watch them play, what exact message and marketing should they use. The audience for plays is usually more mature, more invested, immediately participating, and from the specific local context.</u>
