C. It mimics the way the human mind works.
Hope this helps!
Answer: Nothing anymore, but you need to take a minute to think and say "when did I have a moment I look back on and still smile about" you know? Think about family, friends, music, animals, etc. :)
Answer:
D.When that runner puts her mind to it, she can outrun anyone in her class.
Explanation:
In English grammar, a subordinate clause is a group of words that has both a subject and a verb
Subject: a person or thing that is being discussed, described, or dealt with.
Verb: a word used to describe an action
The subject here is : The runner
The verb here is: puts her mind to it
Answer:
Explanation:
In Walden, one of the many Transcendental concepts Thoreau expressed is the idea that God does not exist in some far away place, but lives instead all around us. "Heaven," he wrote, "is under our feet as well as over our heads." As a Transcendentalist, Thoreau believed that God manifests Himself in the natural world; therefore, nature lives as the source of spiritual truth for those who will seek it there. The poem's persona is one such person.
After listening to the astronomer analyze and "explain" the universe with his charts, diagrams, and mathematical formulas, the poem's speaker becomes "tired and sick." He leaves the stifling atmosphere of the confining lecture room and goes out into "the mystical moist night air."
The influence of Transcendental philosophy can be seen in the contrast between the attitudes and values of the lecturer and those of the poem's speaker. The astronomer intellectualizes nature, perhaps even brilliantly. He is very intelligent, but he is not wise. He understands facts, but he misses truth. The poem's speaker, however, understands that the truth of the universe, of nature itself, can only be understood spiritually. Rejecting the astronomer's carefully reasoned "proofs," he seeks truth instead by "[looking] up in perfect silence at the stars."
--Enotes
Answer:
“My Papa’s Waltz” was written by the American poet Theodore Roethke. It was first published in 1942, then collected in his book The Lost Son and Other Poems in 1948. At first glance, the poem describes a charming family scene: a father and son dance together in the kitchen, roughhousing and romping around. But the speaker supplies a number of hints that things aren’t quite as happy as they seem. The poem subtly reflects on the tension between fathers and sons—tension that in turn may suggest undercurrents of violence.
