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rusak2 [61]
2 years ago
15

Although the Baroque orchestra had essentially the same instruments as the modern orchestra, they were and could not play as

Arts
1 answer:
Genrish500 [490]2 years ago
5 0

Answer:

Smaller and loud

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Music theory help me please ​
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Why is music theory so hard?

Music theory is difficult to grasp because it uses visual methods to describe what we hear. That's a big problem for music theorists because our brains interpret music hundreds of times faster than it takes to explain it. This is why music is powerful. ... As a songwriter, you don't need to know all theory.

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2 years ago
Where does the line of demarcation fall on the difference between cool and warm colors? Be specific.
motikmotik

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I comes between yellow and green on the color wheel.

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Who painted the image above?
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Attach the image,

I'll edit this post and answer your question.

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1 year ago
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In this unit, we have been discussing the high art-low art continuum. I begin addressing this in the Fluxus lecture (see in part
Simora [160]

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get to the point, whats the question?

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2 years ago
according to bazin, what do mummies, terra cotta statuettes, cave drawings and paintings all have in common with photograohy]
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He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.

<h3>Who was Andre Bazin?</h3>

French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.

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