Answer:
Supernova
Explanation:
My brother plays Halo 5 and is obessed with it but sucks at the game lolololol
<span>he Sculpture Series is the realization of a 20 year fine art idea finally come to life. It involves photographing live subjects and rendering them to appear as sculptures.</span>
Answer:
D.You should wear non-slip shoes in order to prevent fro slipping. These shoes typically have grooves at the bottom of the shoe so that you are less likely to slip.
Explanation:
Using an eco-friendly cleaner will still be in a liquid form which can still make the floor slippery.
Having first-aid certification- Even the most careful people can still get injured or hurt. Having a certification in first-aid will help you make better and ore careful decisions but it won't eliminate the problem.
Cleaning the floors every 30 minutes will just maintain the floor slippery making it dangerous for you and others. (The floor isn't give time to dry and its not really necessary to clean it that often.
Branded shoes don't pften have a non-slip feature to them so they might not be the best option. Some branded shoes may have soles that are prone to slipping which won't help the problem.
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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