Answer:
omg i have a condition to :o
Explanation:
Answer:
It's in the explination
Explanation:
It was a tuesday afternoon, and me and a bud were walking out. it was the first time wed both been out in months, and it showed. Ragged clothes ad cloth was hard to find, scrawny as food was unavalibe unless you were working for the city, and lots of fear on our faces. Brad turns to me and whispers "I think I see something..." and we both turn to it. It seems to be a small cylander, sparkly yet not blinding. The green sparkles were faded, and it's about the size of a regular shoe box. I turn to Brad, nods, and he opens it. Inside were 2 megaphones, and we get a bit confused. We look around, and we see Monokumas ganging up on us
Our only option : Run
I hope this is good! :)
Between 1200 and 400 B.C., the Gulf Coast states of Veracruz and Tabasco in Mexico were the setting for a major cultural and artistic florescence among peoples now collectively known as Olmec, named after the Aztec word for the region (Olman, “place of rubber”). Olmec art is best known for colossal sculpture in volcanic stone and intricate works in jade, both media that were imported from faraway regions. Olmec artists were revolutionary for their time, establishing the first major widespread styles in Mesoamerica, laying the foundation for later innovation from the central Mexican metropolis of Teotihuacan south to the Maya area.
After the spread of maize agriculture in the Early Formative period (ca. 1800–1200 B.C.), people in the river valleys of Olman cooperated to construct monumental earthen platforms and mounds at the site of San Lorenzo, Veracruz. More research is needed to know about the society at San Lorenzo: for example, what they ate, where they lived, what they believed. They shared the common goal to invest in major building projects, engineering structures and creating large gathering spaces that transcended the functional needs of daily life. Evidence from the nearby site of El Manatí demonstrates that people were creating sculptures out of wood and stone early in San Lorenzo’s history. Rubber balls found at El Manatí are also some of the earliest evidence for the importance of a ballgame to Olmec peoples.
A and B are correct. Representational art relies on a real item from reality. As does abstract, but it is twisted somewhat. Non-representational isn't from an object - it's purely aesthetic, aka psychedelic shapes and patterns.
