Answer:
what is the question though?
1 and 2 and 3 -(4) would be so maybe the last answer depending on how y’all are taught
There are two purposes of the Adinkra cloth and it is presented in colors. The color red, brown and black cloths associated in the past with funerals and periods of mourning while the white cloth were worn for post – mourning celebrations and joyous occasions.
The Scream is a work of remembered sensation rather than perceived reality. Munch’s approach to the experience of synesthesia, or the union of senses (for example the belief that one might taste a color or smell a musical note), results in the visual depiction of sound and emotion. As such, The Scream represents a key work for the Symbolist movement as well as an important inspiration for the Expressionist movement of the early twentieth century. Symbolist artists of diverse international backgrounds confronted questions regarding the nature of subjectivity and its visual depiction. As Munch himself put it succinctly in a notebook entry on subjective vision written in 1889, “It is not the chair which is to be painted but what the human being has felt in relation to it.” While such events and objects are visually plausible, the work’s effect on the viewer does not depend on one’s familiarity with a precise list of historical, naturalistic, or formal sources. Rather, Munch sought to express internal emotions through external forms and thereby provide a visual image for a universal human experience.
https://www.khanacademy.org/humanities/ap-art-history/later-europe-and-americas/modernity-ap/a/munch-the-scream
The answer is basso continuo
From the Italian language sometimes abbreviated as b.c is a technique of self-composition and execution and essential from the Baroque period
The basso continuo is played for one or various instruments, typically and harmonic as the keyboard instruments or others as the harp or lute
with the voice of bass simultaneously in charge of an instrument of grave tessitura like the violoncello, bassoon, the viola da gamba, contrabass and sometimes contrabasso.
It also receives the name of simultaneous accompaniment
