A violent storm rages around a small ship at sea. The master of the ship calls for his boatswain to rouse the mariners to action and prevent the ship from being run aground by the tempest. Chaos ensues. Some mariners enter, followed by a group of nobles comprised of Alonso, King of Naples, Sebastian, his brother, Antonio, Gonzalo, and others. We do not learn these men’s names in this scene, nor do we learn (as we finally do in Act II, scene i) that they have just come from Tunis, in Africa, where Alonso’s daughter, Claribel, has been married to the prince. As the Boatswain and his crew take in the topsail and the topmast, Alonso and his party are merely underfoot, and the Boatswain tells them to get below-decks. Gonzalo reminds the Boatswain that one of the passengers is of some importance, but the Boatswain is unmoved. He will do what he has to in order to save the ship, regardless of who is aboard.
Answer:
Dear the most rich people in society, the rulers: is this the creation you give back to god? Creating hurt bodies that look monstrous? How do you plan to fix their bodies and hurt souls?
How will you revive their souls and livelihood? How will you make them happy and enlighten them? How will you restore their hope and dreams? How will you fix this devilish act?
Explanation:
I think it is B.covering Gulliver with a napkin i hope it helps
This is the main structure:
Each incorporates non-English words
Explanation:
The use of the words like 'tortillas' and exoticizing of the lands that are being talked about int he passage are the strategies of the author to introduce the reader to this feeling of being exotic in the place and to the place one is in.
The first passage is about a person who sees the baggage of their culture
The other is about one that refuses to see the culture they themselves have and are looking for something that is exotic to them and thus alluring.
