At the beginning of the play, before Duncan was killed, it did lead us to believe that Lady Macbeth was indeed a strong woman. But, after the murder of Duncan, she slowly started to lose her mind. She began seeing things and hearing the voice of Duncan in her head, she started to sleep walk frequently. And this madness led to her committing suicide towards the middle-end of the play.
The original name of the 1970s tv show The Brady Bunch was The Brady Bunch Hour
<h3>What is The Brady Bunch Hour?</h3>
- The Brady Bunch Hour is a TV program produced in the United States by Sid & Marty Productions in collaboration with Paramount Television. It features skits and songs. From November 28, 1976, through May 25, 1977, it was telecasted on ABC.
- Except for Eve, who was replaced by Geri , the Brady Bunch's original cast members starred in the series.
- On November 28, 1976, a 60-minute special named The Brady Bunch Variety Hour marked the start of the program. The special was well-received and inspired the production of eight more 60-minute episodes, which were released and shown irregularly from January 23 to May 25, 1977, as The Brady Bunch Hour.
- Mike Brady puts up his work as an architect and relocates his family to a beachside home somewhere in Southern California when the family is selected to star in a new variety series .
- Along with the Brady family, the Brady's maid, Alice, was interest in Jack Merrill , the neighbor who lives next door (her former friend, Sam, is never mentioned).
- In addition to the variety, they showed light comedy, song, and dance, each episode also includes a behind-the-scenes story that takes place in the Brady's house.
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The ubiquitous Broadway poster is more than just eye candy for the busy New Yorker and tourist. These pretty pictures, which cover so much of the city, convey — or at least suggest — the experience a Broadway production holds for the potential audience member. What will you see, hear and (hopefully) feel once you plop down your hard-earned money for a seat in one of Broadway’s storied theatres? It’s a show’s calling card. It helps put people in seats. Upon first glance, a Broadway poster may seem deceptively simple — a picture or graphic with a title and some credits. But a lot of very creative people put a lot of thought and effort into creating what’s known in the industry as “key art.” It’s this key art gets that gets spun off into the countless versions you see online, in the subways, outside theatres and above Times Square. The final product, in all its forms, depends on the show and the audience its producers wish to attract.
For Once, the Off-Broadway transplant about an Irish musician and a Czech immigrant brought together by music, the challenge was to reinvent a personal story for a broader audience. As Darren Cox, Associate Creative Director at SpotCo, an advertising agency that handles many of the most successful Broadway shows, explained, Once “…was this little fantastic gem of a show downtown that just flowered into this huge success.” The original art, which SpotCo also developed, had a “…very personal, slice-of-life kind of aesthetic, which was very intimating and moved to being good for downtown, but we found out that other needs arose when the Broadway shows.” The bigger stage and the bigger potential audience required an updated look and feel to get noticed. The art needed to pack more of a punch. According to Cox, “there was a little bit of a fear that the intimacy of the show and the kind of quiet beauty of the show could be sort of swallowed up…” The solution was to hold on to certain artifacts from the original as inspiration and then dial everything up. They hired a photographer and shot the actors in real environments — in the theatre, on the street, at a bar. “And then we pulled back in some of the graphics and the logo treatment that had that downtown intimate feel, but then married it to the larger brand.” Looking at the original and updated art “…you can see there is sort of this relationship where they do feel they’re kinda like in the same voice but one has a much stronger, louder, much more splashy kind of voice.”
Explanation:
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1.a) The process of illuminating an object by putting the light source in front of the object is called front lighting. It is helpful in illuminating the object, especially when lighting conditions are poor. This is commonly done using a camera flash. But other light sources can also be used.
1. b)If the light source is directly in front of the subject, then the shadow tends to fall behind the subject. For this reason, front lighting often runs the risk of resulting in images that look flat, since the perception of depth is not available.
2. Strobe lighting is a flash of high power light that illuminates a subject during photography for a short fraction of time. Continuous light, as the name suggests, is a continuous stream of light that illuminates the subject for a longer period of time. With strobes, you can adjust the strength of the light, whereas continuous light, which tends to be quite bright, may cause human models to squint a lot. Moreover, since the strobe flash is very brief, it may reduce occurrence of movement-induced blurring.
3. Depending on the time of the day, the light falling on the subject in an outdoor setting tends to differ. This, in turn, has an effect on the brightness, contrast and shadows in the image. So the same subject, photographed at different times during the day will look different.
4. Continuous light, in contrast to strobe light, provides light in a continuous flow. Thus, the light present in the period before the shot and during the shot is the same. This is advantageous for the photographer as he can know in advance how the lighting of the image is going to be in the picture before actually shooting the picture. The disadvantage is that the brightness of the light for prolonged periods may cause human models to squint a lot.
5. A softbox is a translucent sheet that is placed on the top of a camera flash. This is used by photographers to diffuse the light falling on the subject, giving the subject a softer look, by blurring sharp or harsh edges.
6. Photographers use umbrellas while taking pictures in order to distribute the light in the ambience evenly. This effect causes the light , in turn, to fall on the subject uniformly, avoiding individual areas of the subject from shining too much.
7. When shooting indoors, the lighting in the ambience may not be uniform. Some areas may be too bright and shiny while others may be heavily shadowed. So to ensure that the subject gets a uniform amount of ample light, it is best to use artificial lighting.
8. The most challenging aspect of working with light in photography is knowing which lights to use at different situations and time. To overcome this challenge, the photographer has to make himself as familiar as possible with the different lighting sources and its effect and practice by experimenting on different subjects, with different lights and at different times of the day.
9. Yes, I have had my photograph taken in a studio. The experience was very interesting as I was able to get myself familiar with a lot of tools used in photography, like umbrellas, lights, softboxes, etc.The lighting helped enhance all the photographs. By adjusting the lighting each time, the photographer was able to achieve different effects on the photographs each time. The variance in the intensity of light as well as the position and direction of the light had an effect on the brightness, the shadows, highlights and hues in the image.
10. Since it tends to be dark and cloudy during a rainy day, it would be wise to keep an artificial light source or flash handy . Moreover, to avoid water getting into the photography equipment, a good rain cover for the lights, camera, etc. would be advisable. In spite of the shoot being difficult, it would help produce interesting images, as the camera catches the round spherical droplets of falling water, that look like vertical lines to the naked eye.
1. All the people employed by a particular organization.
"a staff of 600"
2. a group of officers assisting an officer in command of an army formation or administration headquarters.
"the Polish General and his staff"
