Answer:
it's actually display ( i just finished the quiz )
Explanation:
<span>c. parallelism
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Sentence structures could be simple (one independent clause), compound (two independent clause with coordinating conjunction), complex (a subordinate & independent clause) and compound-complex sentences (subordinate & two independent clause). These include clauses, conjunctions, coherence and balance and even to the number of words you use in your subject and predicate. You must also see to it that when you do parallelism, your sentences still makes sense.</span>
I'm sure you will ask How much light is provided in the art space. HOPE IT HELPS YOU!!!!!!!!!!!
Although we never learn exactly what changes Hamlet asked The Players to make in their script, it is almost certain that the changes included the dumb show portion that presents the Fellow pouring poison into the King’s ear as well as the lines about fidelity and widowhood. One aspect of the irony is that Hamlet requested the changes so he could watch Claudius’s reaction: to “catch the conscience of a king.” He later tells his step-father. Dramatic irony is simply giving the audience more information than another character has. When Gertrude says this, she is speaking to the audience, not another character. She is foreshadowing any negative consequences of another character's actions.
112 words...
Answer:
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Explanation:
no one would have believed in
he last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutnised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable.
<h3>H.G. Wells, The War of the Worlds</h3>
