Answer:
Falling Action: Sylvia must go home and report to the hunter about her findings.
Explanation:
I hope this helps! I like your Nagito pfp!
Answer:
Whittier uses the symbolism and imagery of war in his poem "To William Lloyd Garrison" to inform the audience because they had little or no experience with this "peculiar institution." He uses the sword to symbolize the fight that him and Garrison were involved in by speaking out against slavery in this time.
Explanation:
1. Suffix meaning of or belong to: option 2 AN
- for example: Russian/republican
2. Suffix meaning one who: option 3 ANT
- for example: inhabit<u>ant</u> somewhere who lives in a city
3. Suffix meaning like: option 7 LY
- for example: cowardly in a coward way
4. Easy+ly: option 6 EASILY
5. The sopranos and the: option 9 ALTOS
6. Rage+ing: option 4 RAGING
7. Unite+y: option 8 UNITY
8. The regular plural ending for words ending in s, ss, sh, etc: option 5 ES
- for example: boss- bosses
9. Suffix that can change an adjetive to noun: option 1 DOM
- for example: wise- wisdom
Answer: Getting older means getting closer to the end of your life which means that they try to spend more time with the people they want to and pursue thing that they always wanted to do.
Hope this helps! :)
Explanation:
Answer:
D). It shows his insensitivity to human suffering.
Explanation:
Language always plays a vital role in conveying the author's intended message or idea as it assists to create the desired tone, atmosphere, or effect that would help evoke the desired response from the audience.
In the given question, the impact created by the language presented in the given excerpt from 'The Tempest' is that 'it reflects the insensitivity towards human suffering' which is clearly reflected by the phrases 'Of his bones are coral made', 'Nothing of him that doth fade' etc. The author employs figurative language to enhance the intended impact and reflect the 'callousness' as shown by the description 'Sea-nymphs hourly ring his knell'. Thus, <u>option D</u> is the correct answer.
