Answer:
The focus of the book is what is now known as post-traumatic stress disorder (PTSD). Over time, the author explains how soldiers' stress and demand for aid have evolved. They use the word "shell shock" as an illustration of how the term came to be used. Compared to the names it was afterwards referred to, the author feels this two-syllable phrase was simpler and more straightforward. "The pain is completely buried under jargon," it is said. I'll bet if they had still been calling it "shell shock," some of those Vietnam veterans might have received the attention they needed. Authors argue that troops were better served by the original word, shell shock, since it didn't have a long phrase and many more syllables. When a soldier is "on the edge of a nervous collapse," he or she is said to be on the verge of a nervous breakdown.
Explanation:
Write in your own words to avoid plagiarism. (teachers are smart)
Answer:
Print layout.
Explanation:
'<u>Print layout</u>' is the feature that primarily assists the user to show a print view of the document in a page-layout format. It allows them to preview the format and page break of the document along with the header(text that appears on the top of a page) and footer(text to be appeared at the bottom of a page) on each page. This feature assists the user to ensure that their intended visual elements, page or paragraph breaks, spacing, etc. have exactly taken place in print format as desired or decide if any changes are required. Thus, <u>'print layout'</u> is the answer.
Answer:
It helps the reader to understand the narrator from a number of different perspectives.
Explanation:
Poe typically wrote his stories in first person and he did this to allow readers to understand the narrator of the story and what their motives and reasoning for their actions were.
A calculated risk is a chance you take after considering the outcome and an unnecessary chance is a pointless risk that is taken that could be avoided
Answer:
A
Explanation:
A tonal montage does not have to do with the time but with the tone of the film making. It has to do with the tones, shadows, and light in each shot that gives the movie their visual identity.
