I think television is an important one. Or maybe the internet. Both are important ways people can know what the current events are.
Bradbury describes Mildred’s earbuds as seashells. He uses this metaphor in a reference as people hold a seashell up to one’s ear to hear the sound of the ocean.
This should alarm the reader because the <em>seashells are used by Montag’s society to control information and control potential rebellions</em>. This is a way to control individuals and paint a different reality. Also with the seashells always plugged in <em>people don’t have the time or a silence to listen to their own thoughts.</em>
You should take a picture of the question
Answer:
The option that would most likely function as the exposition in a story is:
A. We had been working for months to restore the house to its original glory.
Explanation:
<u>The exposition of a story is the moment when the author sets the stage for what is going to happen. In other words, it functions as the introduction of the story, where we get to know the setting, the characters, and begin to understand the context in which the plot will unfold.</u>
Therefore, the exposition should present information that will be developed, that is, introductory information. When we analyze the options given in the question, we can see that B, C, and D are more likely to be used in other moments in the story. They demand context. If they were the very first sentence in a story, for instance, we would be taken aback, having no idea what is going on. Why is Shannon trying to go from the raft to the boat? What project is she talking about - and who is she, for that matter? What contest is this and who is talking about it?
<u>Now, option A sounds much more like an introduction. We do not know who the speaker is yet, but now we know that he/she and someone else have been working on renovating a house. It is easy to see that this piece of information will be further developed: we will be told who the speaker is, whose house it is, etc.</u>
Macbeth's wife is one of the most powerful female characters in literature. Unlike her husband, she lacks all humanity, as we see well in her opening scene, where she calls upon the "Spirits that tend on mortal thoughts" to deprive her of her feminine instinct to care. Her burning ambition to be queen is the single feature that Shakespeare developed far beyond that of her counterpart in the historical story he used as his source. Lady Macbeth persistently taunts her husband for his lack of courage, even though we know of his bloody deeds on the battlefield. But in public, she is able to act as the consummate hostess, enticing her victim, the king, into her castle. When she faints immediately after the murder of Duncan, the audience is left wondering whether this, too, is part of her act.
Ultimately, she fails the test of her own hardened ruthlessness. Having upbraided her husband one last time during the banquet (Act III, Scene 4), the pace of events becomes too much even for her: She becomes mentally deranged, a mere shadow of her former commanding self, gibbering in Act V, Scene 1 as she "confesses" her part in the murder. Her death is the event that causes Macbeth to ruminate for one last time on the nature of time and mortality in the speech "Tomorrow and tomorrow and tomorrow"
