Answer:
Explanation:
The osmotic gradient in the kidney typically in the medulla is a process that generates urine that is 5 times more concentrated so as to reduce the loss of water from the body.
The countercurrent multiplication is a process that uses energy to produce the osmotic gradient in the kidney, this process facilitates the reabsorption of water from the tubular fluid. This mechanism moves the sodium chloride from the tubular fluid to the interstitial space of the kidneys. The osmotic gradient can be developed in two ways:
1. The single effect: This involves the transport of sodium chloride from the tubular fluid and moved to the ascending limb then finally to the interstitial fluid. As a result of this, the water moves passively down to the concentration gradient out of the tubular fluid than to the descending limb of the interstitial space, until the equilibrium is achieved.
2. Fluid flow method: The tubular fluid enters into the descending limb. This pushes the fluid into high osmolarity typically down the tube. This way the osmotic gradient develops.
Adults—0.1 milligram (mg) two times a day, taken in the morning and at bedtime. Your doctor may adjust your dose as needed. The usual dose is 0.2 mg to 0.6 mg per day, divided and given two times a day.
Answer:
In general Asian music, but most particularly Chinese, has called the attention of westerners because of the sensed differences with the music that we are accostumed to listen to in the west. This is why, when we go into a restaurant that is Asian, and we hear the tunes being played, we become aware of how different they sound from what we are accustomed to.
There are several reasons for why this happens, but the most important of all is the difference in the scale system that Chinese music composers use, versus ours. While in the west we use a 7-note scale system, most Asian music, and most particularly Chinese music, use what is known as the pentatonic, or 5-note scale.
Also, Chinese music is usually played with solo instruments, or very small ensembles, not how it is done in the west, and the emphasis tends to be on certain types of wind instruments such as zheng, and also on cymbals and gongs, which give this type of music a very peculiar characteristic.
These are only a few of the reasons why Chinese music may sound so different to what western people are used to.
