Johnson disliked Swift but had an intense self-implicating interest in him, sharing much of his social, psychological and devotional outlook, and exhibiting a wide and life-long reading of his works. He found Swift's irony, and satire in general, unsympathetic, but wrote in a manner deeply shaped by Swift and other Augustan satirists. His relationship with Hester Thrale included a self-conscious and often conflicted awareness of Swift's friendship with Stella. His novel Rasselas shares with Swift's 'Digression on Madness' a strikingly similar diagnosis of humanity's mental constitution, but draws teasingly opposite and sometimes adversarial consequences from it. Johnson's antipathies coexist with a reluctant sense of likeness, a combination implicit in the forthrightly evasive and wayward judgments of the 'Life of Swift', from which the main examples are drawn. Their nevertheless compelling power (like that of F. R. Leavis's very different but equally
1. A 2. C 3. A 4. B. all you got to do is pay attention to what's going on, understand from there point of view. try putting your feet in there shoes and seeing how you would feel if you lived that life.
In the Crucible, you don't have much information about this character. She is a little girl with no siblings who becomes will. She is one of the accusing girls in The Crucible and you do not have much information on her personality or life, really.
