Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
Answer: Philip Glass (born January 31, 1937)[1] is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century.[2][3][4] Glass's work has been described as minimal music, having similar qualities to other "minimalist" composers such as La Monte Young, Steve Reich, and Terry Riley.[5] Glass describes himself as a composer of "music with repetitive structures",[6] which he has helped evolve stylistically.[7][8]
Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written numerous operas and musical theatre works, twelve symphonies, eleven concertos, eight string quartets and various other chamber music, and film scores. Three of his film scores have been nominated for Academy Awards.
Compared to the classical era, the movements in Romantic symphonies B. became more flexible, symphonies could begin or conclude with a slow movement.
<h3>How do Romantic and Classical symphonies compare?</h3>
Romantic symphonies allowed for more freedom and flexibility such that symphonies could even begin or conclude with slow movement.
There was also dramatic contrasts in the pitch of the symphony as well as contrasts in dynamics.
Find out more on the classical era at brainly.com/question/20330755.
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Answer:
There are three types of minor scales in music theory. Each of these scales produces a different sound, but all are anchored by the minor third scale degree, which gives the minor tonality its recognizable sound.
The natural minor scale is the most common minor scale, and the default when a musician refers to “a minor scale” or “minor.” The natural minor scale pattern features the same exact notes as the Aeolian mode in modal music.
The harmonic minor scale is derivative of the minor scale where the seventh scale degree is raised by a half step.
The melodic minor scale is a minor scale with raised sixth and seventh scale degrees, but only when ascending. A descending melodic minor scale is identical to a natural minor scale.
Explanation:
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