Answer: Water freezes at 0 degrees Celsius and boils at 100 degrees C, while in Fahrenheit, water freezes at 32 degrees F and boils at 212 degrees F.
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Answer:
D.) all of the above are forms of personal adornment
Explanation:
The answer is D, due to the fact that they all made someone look/feel good
Answer:
ong
Explanation:Thomas Jefferson often argued vehemently for the freedom of belief as a freedom all individuals should enjoy. If judges were to make rulings about the beliefs of others, that would be a confusing of religious and civil spheres. Jefferson drafted a bill regarding freedom of religious belief in 1777 ... and his views ultimately were enacted into law in 1786. In his Statute of Religious Freedom, Jefferson wrote:
"Our civil rights have no dependence on our religious opinions, any more than our opinions in physics or geometry. ... To allow the civil magistrate to intrude his powers into the field of opinion, and to restrain the profession or propagation of principles on supposition of their ill tendency, is a dangerous fallacy, which at once destroys all religious liberty, because he being of course judge of the tendency will make his opinions the rule of judgment; and approve or condemn the sentiments of others only as they shall square with or differ from his own."
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
