Answer:
Has just begun to develop survival skills
Explanation:
An excerpt from the story supports that: "As he went along he smelled things, as well, his distended, quivering nostrils carrying to his brain an endless series of messages from the outside world. Also, his hearing was acute, and had been so trained that it operated automatically. Without conscious effort, he heard all the slight sounds in the apparent quiet—heard, and differentiated, and classified these sounds—whether they were of the wind rustling the leaves, of the humming of bees and gnats, of the distant rumble of the sea that drifted to him only in lulls, or of the gopher, just under his foot, shoving a pouchful of earth into the entrance of his hole."
From the above excerpt, we can deduce that Edwin was actually developing his survival skills. In developing his survival skills, his smelling, feeling and hearing organs were alert and firm. When the bear came, Edwin stood firm without running away. He was able to make the bear to leave them. Edwin was building experience and skills which might be relevant.
Rosalind Frankin was the orginal creator of Photo 51. Her ideas where stolen by Watson & Crick and they recieved all the benefits for her discoveries.
The correct answers are
Metaphor: She's an encyclopedia; We're just old news; I'm spreading my wings.
Simile: It's hard as steel; He's crafty like a fox; I'm strong like a bull
Explanation:
Both Simile and Metaphor are rhetorical figures used to describe a person, animal, object, etc. by making a comparison. The key difference between these two figures is that in SImile explicit comparison words such as "like" or "as" are used, while in metaphor the comparison occurs directly. This means, in the sentences "It's hard as steel", "He's crafty like a fox" and " I'm strong like a bull" there is simile due to the use of like and as, while in the rest of the options there is a metaphor because comparison occurs directly.
Answer:
Poe uses the first line of the story to build suspense in the following manner:
C. Poe informs the reader that Fortunato has wronged the narrator but doesn't say specifically what Fortunato did which creates a sense of uncertainty.
Explanation:
This question is about the short story "The Cask of Amontillado," by author Edgar Allan Poe. Take a look at how the story begins:
<em>THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.</em><em> You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled --but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.</em>
<u>We get to know two things from the get-go: the narrator feels that Fortunato has offended him; and the narrator is adamant about avenging himself.</u>
<u>However, at no point does the narrator reveal what Fortunato has done. Apparently, Fortunato has injured him before. Now, it is an offense. But how can we trust this narrator if he does not reveal what happened? Maybe he is too sensitive and took things too personally. Maybe nothing happened at all- he might be insane, for all we know. We are left with this uncertainty, even though the narrator tells us we know him well. We do not. He does not offer us enough information to judge for ourselves.</u>
ANSWER
The correct answer is c
EXPLANATION
