Answer:
Films
Explanation:
Matthew Barney’s epic Cremaster cycle (1994–2002) is a self-enclosed aesthetic system consisting of five feature-length films that explore processes of creation. The cycle unfolds not just cinematically, but also through the photographs, drawings, sculptures, and installations the artist produces in conjunction with each episode. Its conceptual departure point is the male cremaster muscle, which controls testicular contractions in response to external stimuli. The project is rife with anatomical allusions to the position of the reproductive organs during the embryonic process of sexual differentiation: Cremaster 1 represents the most “ascended” or undifferentiated state, Cremaster 5 the most “descended” or differentiated. The cycle repeatedly returns to those moments during early sexual development in which the outcome of the process is still unknown—in Barney’s metaphoric universe, these moments represent a condition of pure potentiality.
Answer:
C. Acombination of spices and herbs used to cover food
Explanation:
Reason:
the rise of nation-states as defining social and geographic entities
increasing geographic and social mobility, with more people moving to cities & the growth of a literate middle class,
new technologies dependent on power from fossil fuels (trains, steamships, industrial printing)
longer life-spans and rising standards of living enable ideas or values including individualism, imagination. idealization of childhood, families, love, nature, and the past.
I think it's B. Sculptures often showed patriots and presidents
Well I’m not sure how to do that
