Answer:
Russians faced many challenges and struggles working on collective farms.
Explanation:
The sentences above are from George Orwell's allegorical book "Animal Farm." The novella is a satire of the Soviet regime that arose following the Russian Revolution. The animals of Manor Land revolt against their human master and drive him off the farm. The most clever animals, the pigs, seize command of the situation, portraying the Soviet authorities, while the other animals, at first gladly, but eventually violently, obey the new commands, symbolizing the people. Orwell emphasizes the problems the animals have when farming in the passages. These problems pertain to the genuine hardships that Russians who worked on collective farms encountered. The Soviet leaders decided to seize rural estates from their owners and cultivate them collectively in order to produce and export grain. The goal was to raise funds through exports to invest in machinery and industrialization. Unfortunately, many property owners were opposed to such a program. When compelled to give up their holdings, they would destroy their equipment and slaughter their cattle. The absence of machinery, as well as horses and livestock, that resulted from such activities hampered farm labor tremendously.
B. because folktale usually has to deal with magical animal or elements.
The answer is a. To show that even seemingly eternal things are temporary,
Answer:
sorry about that but you prolly did great
Explanation:
Answer:
The song “Dance with the Devil” by Immortal Technique uses various literary and poetic devices to convey the reality and dangers of the gangster illusion. The primary devices utilized in the song include imagery, allusion, alliteration, and point of view.
Imagery is possibly the most powerful device used throughout “Dance with the Devil”. Immortal Technique uses imagery to captivate the dark, graphic, and realistic actions and consequences associated with those who attempt to follow the gangster images portrayed in the mainstream hip-hop media.
