Question

Many of the cave paintings at Lascaux show the animals with heads in profile, but with horns facing forward. This is an example of what convention of representation?

Answer 1

Answer:

The convention of representation depicted in the Lascaux cave paintings where the heads of the animals are in profile but their horns are facing forward is called the twisted perspective.

Explanation:

The Lascaux cave paintings (c. 17,000 BCE) are remarkable because the animals are depicted with a lot of vitality and detail for the time period. The Timeline of Art History on the MET's website describes cave paintings and engraving appearing on the ceilings or walls of caves as “parietal” art. It is likely the caves were more for ceremonial purposes than for providing a group or community shelter. At Lascaux, the artists used outlines for precision and detailed them with soft colorings that they likely blew onto the depictions using a straw-like tool. The animals at Lascaux are typically painted with a slight twisted perspective. This gives the drawing more visual power and sense of the animal in movement because their horns or antlers are painted from the front, but their heads are in profile. Scholars who have analyzed the paintings have found that this twisted perspective is also used in artwork originating from Mesopotamia and Egypt.

Answer 2

Further explanation

The science of perspective is the study of drawing objects that are volume, filled, bear / hollow in the field of drawing. The picture looks like an actual object so that objects have the impression of large-small, far-near, deep-shallow, light-dark, high-short and others.

Twisted perspective is when an animal or human profile is displayed while other parts of the same object are displayed frontally.

this is found in prehistoric art, where bulls drawn on the wall have their bodies oriented to the right while their heads are turned left or toward the audience. You can find it in Mesopotamian art or Ancient Egyptian art.

artists try to express three-dimensional forms into two-dimensional fields, consciously or unconsciously they have been involved with some sort of 'perspective'. Realist schools were first introduced into drawings or paintings by the use of shadows in Pericles' time. Shortening the perspective line and the emitting of light, some of it was known around the 4th century BC and the fragments of this work did not go away with the destruction of Pompeii.

The development of perspective as science began in the Renaissance. Paolo Uccello has spent so much time learning it. The work was then followed by others. Pioneered by Fillipo Brunelleschi, a builder, continued further by Leona Battista Alberti, an architect.

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Twisted perspective : brainly.com/question/13743662

Details

Class: middle school

Subject: history

Keywords : perspective, drawing, dimensional