A dangling modifier is a phrase or clause that is not clearly and logically related to the word or words it modifies (i.e. is placed next to). Two notes about dangling modifiers: Unlike a misplaced modifier, a dangling modifier cannot be corrected by simply moving it to a different place in a sentence.
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Gretel dislike her father and brother because she perceive that they are exploiting her and her step-mother. She dislike the lawyer because he put her under spell and made her sign the wrong contract.
Explanation:
'Gretel' is a short story written by Garrison Keillor. The story is about the titular character– Gretel. Gretel is a feminist and is against inequality and injustice faced by women in society.
She dislike her father as he is a drunkard and she perceives that her father is exploiting her and her step-mother. She dislikes her brother because he wickedly planned to give small share only from the amount after selling the book. She dislikes tha lawyer of her brother Hansel, because he cunningly made her sign the wrong contract, which says that she and her mother will have only small amount of sharing from the book sold, by putting her under a spell.
Answer:
Parents watch a clip on the internet of their child presenting an oral report
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Answer:
Classical decomposition requires the study of the space the art takes place in, the color composition if applicable, the lines and flow of the work, the technique used, and the emotion and intellectual response it evokes. The space in which the art takes place could be the phsyical setting, the division of space in the work itself (common in paintings) and how it interacts with the space (negative vs. positive space.) The color composition is important in how the colors chosen relate to the work (or the lack there of). The lines and flow of the work tend to pertain more to visual works but anyone that has evaluated the artwork in automotive design know full well the importance of lines in the work. The technique is important especially in phsyical artwork such as sculpture and relief painting. This is also crucial in multimedia work and abstract sculpture. The last part, largely subjective, is what the work solicits from the viewer. Art without emotion could be argued ... isn't art. Andy Worhol explored this idea with pop art (cambell soup can anyone?) on what is the nature of art. Art is either everywhere (in your spoon, fork, stapler, etc.) or some rare thing (a painting by Raphel verus the macroni happy face the 4 year old did) and if it is a rare thing then what does the art have to convey? What elevates art from engineering then? This last part is solely the responsibility of the critic rather then the artist. An artist always sees their art as art, but what prompts the view to consider it art and what steps does the work take to make a believer out of the viewer.
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