Russia's defeat of France was the turning point in the Napoleonic Wars because it shook the reputation of Napoleon and weakened the hegemony of French in Europe. This war showed that Napoleon could be defeated and was not invincible. The strength of the french army under Napoleon decreased by a huge margin.
Answer:
Totalitarianism is a political ideology that seeks total control of all aspects of life by a powerful state.
The origins of totalitarianism can be traced back to 1920s Italy, when Benito Mussolini rose to power and adopted an ideology named "Fascism". Fascism sought total state control in order to advance a particular view for Italy.
Stalin's Soviet Union was a totalitarian communist state because he had control over every aspect of life. The economy was planned, the media was censored, and people could not criticize the state.
Hitler's Germany was a totalitarian state because nazism also sought total state control in order to further Hitler's goals for Germany: territorial expansion, and the extermination of minorities (jews, roma, slavs, homosexuals, the disabled, etc).
Japan was also a totalitarian state until its defeat in the second world war. The Emperor was all powerful, and had total control over national life, and Japan's policy during the era was to colonize most of East Asia in order to expand Japanese influence.
Answer:
Germany
Explanation:
Germany invaded Poland to regain lost territory and ultimately rule their neighbor to the east. The German invasion of Poland was a primer on how Hitler intended to wage war–what would become the “blitzkrieg” strategy.
Answer:
Assuming that this is referring to the same list of options that was posted before with this question, the best answer is that tighter immigration laws were passed, because the nativists thought that immigrants were stealing jobs.
Explanation:
Because of Raphael's fascination to Michael Angelo's and Leonardo Da Vinci's works, Raphael seems to create some sort a fusion between Michael Angelo's and Leonardo Da Vinci's style into his.
In all of Raphael's work, we can always find the communicative and expressive measures from Leonardo, and dynamic-cultural quality sculpture from Angelo.
