France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
Answer:
Devido à sua grande extensão, de norte a sul do globo e as formas de relevo com grandes altitudes, como a Cordilheira dos Andes e os Montes Apalaches, por exemplo.
Explanation:
In general, what are the himalayan mountains composed of: folded and bent rock.
- The geology of the Himalayas is a record of the most dramatic and visible creations of the immense mountain range formed by plate tectonic forces and sculpted by weathering and erosion.
- The Himalayas, which stretch over 2400 km between the Namcha Barwa syntaxis at the eastern end of the mountain range and the Nanga Parbat syntaxis at the western end, are the result of an ongoing orogeny — the collision of the continental crust of two tectonic plates, namely, the Indian Plate thrusting into the Eurasian Plate.
- The Himalaya-Tibet region supplies fresh water for more than one-fifth of the world population, and accounts for a quarter of the global sedimentary budget.
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Answer:
The diameter of the Milky Way is 3,503,974,249,104 km times larger than the diameter of Saturn's rings.
Explanation:
1 light year is the distance light can travel in one year. One light year is equal to exactly to 9,460,730,472,580.8 km.
Therefore the diameter of the milky way in distance is 9,460,730,472,580.8 x 
km while the diameter of Saturn rings are about 270,000km.
Comparing both diameters
= 
= 3,503,974,249,104 km
