Question

"vision after the sermon," paul gauguin, · what fundamental differences exist between gauguin and the impressionists? · why did gauguin move to pont-aven? · how does he reject both realism and impressionism in this painting?

Answer 1

Vision after the Sermon represents a significant departure from the subject matter of Impressionism, namely the city or rural landscape, which was still quite prevalent in Europe and the United States during the last two decades of the 19th century.

Instead of choosing to paint pastoral landscape or urban entertainments, Gauguin depicted a rural Biblical scene of praying women envisioning Jacob wrestling with an angel.

The decision to paint a religious subject was reminiscent of the Renaissance tradition, yet Gauguin rendered his subject in a decidedly modern style derived in part from Japanese prints, his own experiments in ceramics, stained-glass window methods, and other popular and "high art" traditions, finally emphasizing bold outlines and flat areas of color.

Paul Gauguin become born to Clovis Gauguin, a journalist, and Alina Maria Chazal, daughter of the socialist leader and early feminist activist vegetation Tristan. on the age of 3, Gauguin and his circle of relatives fled Paris for Lima, Peru, a flow motivated by using France's tenuous political climate that prohibited freedom of the click. on the trans-Atlantic journey, Clovis fell unwell and died. For the following 4 years, Gauguin, his sister, and mother lived with prolonged spouse and children in Lima.

In 1855, as France entered upon a more politically solid technology, the surviving own family lower back to settle inside the north-critical French city of Orleans, in which they lived with Gauguin's grandfather. There, Gauguin began his formal training and finally joined the service provider marine (compulsory carrier) at age seventeen. 3 years later Gauguin joined the French navy. Returning to Paris in 1872, Gauguin took up paintings as a stockbroker.

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