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ycow [4]
3 years ago
14

PLS HELP

Arts
2 answers:
deff fn [24]3 years ago
5 0
The first layer and second
Ksju [112]3 years ago
3 0

Answer:

A., and B.

Explanation:

because they are what makes up the  earth mostly

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What happens to an object when it is pushed? (2 points) a It will move away from whatever is pushing it. b It will move towards
Katen [24]

Answer:A

Explanation: when you push something it moves AWAY from you and because of gravity it is answer A

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2 years ago
If you were to have anything because a Lego set what would it be and why? At LEAST 3 full sentence for credit​.​
motikmotik

Answer:

Under

Explanation:

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2 years ago
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Blababa [14]

Answer:

Movement in art decides how the viewer will perceive an artwork. It is the path our eyes follow or the pattern our eyes go after when we look at an art work. In art, it's extremely important to keep a viewer’s eyes engrossed in the work, and the way an artist does that is by adding movement. Without any movement, artwork is stagnant and people don't really like looking at art that looks or feel boring to them, no matter how valuable it is. If our eyes see movement happening in an art work, they are more likely to enjoy the art as they are now following a pattern or path to explore the contents of the artwork.

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2 years ago
What is the shape used in this image?​
raketka [301]

You haven't added any image...

In basic terms, shape describes a flat, enclosed area of space. Shapes can be constructed with colors and lines, but all shapes are limited to two dimensions – width and length. Curves and other irregular, flowy shapes are known as organic shapes, while angular shapes like squares and triangles are geometric shapes.

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How did pablo picasso and edward hopper take different approaches in the way that they depicted space in their paintings?
Stella [2.4K]

<span>They differ in their approaches in the way that they they depicted space in their paintings since Picasso, space is fragmented and discontinuous while Hopper is known for his brilliant, clean use of color and strong and almost treatical lighting. In addition, Hopper showed the same dramatic light and the image is built from crosshatched lines and it is relating to Rembrandt’s moody etchings in his black and white etchings. </span>

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