Answer:
please give me brainlest star please
Explanation:
Victory in the European Theater
Victory in the European Theater
Despite the fact that a Japanese attack in the Pacific was the tripwire for America’s entrance into the war, Roosevelt had been concerned about Great Britain since the beginning of the Battle of Britain. Roosevelt viewed Germany as the greater threat to freedom. Hence, he leaned towards a “Europe First” strategy, even before the United States became an active belligerent. That meant that the United States would concentrate the majority of its resources and energies in achieving a victory over Germany first and then focus on defeating Japan. Within Europe, Churchill and Roosevelt were committed to saving Britain and acted with this goal in mind, often ignoring the needs of the Soviet Union. As Roosevelt imagined an “empire-free” postwar world, in keeping with the goals of the Atlantic Charter, he could also envision the United States becoming the preeminent world power economically, politically, and militarily. (2)
The city of Jericho is a historic city, also mentioned in the Bible, when the Jews, after 40 years of journey through the desert, after leaving Egypt, finally reached the promised land. The city was in the "Canaan" land, according to the Bible, which the Jews led by Joshua, who was leader after Moses, had to conquer. According to historical data, Jericho was located in the valley of the Jordan River, a small village inhabited by a few thousand people, with a stone wall around. There is no evidence of the existence of a ziggurat in the village, which is a stone pyramid, a type of building that dates back to the Sumerian civilization, and which is more characteristic of the Mesopotamian region than Palestine.
I would say that the right answer is C.
Your answer is C, <span>Economic Recovery Act.</span>
Early modern philosophy in Europe and Great Britain is awash with discussions of the emotions: they figure not only in philosophical psychology and related fields, but also in theories of epistemic method, metaphysics, ethics, political theory and practical reasoning in general. Moreover, interest in the emotions links philosophy with work in other, sometimes unexpected areas, such as medicine, art, literature, and practical guides on everything from child-rearing to the treatment of subordinates. Because of the breadth of the topic, this article can offer only an overview, but perhaps it will be enough to give some idea how philosophically rich and challenging the conception of the emotions was in this period. Most attention will be devoted to the familiar figures of early modern philosophy and how they conceived of the emotions as valuable, even indispensable aspects of embodied human life, which were largely constitutive of the self and identity that matter to us practically.
A word of caution is in order: there is a plethora of source material, and this entry is offered as a survey for organizing that material. Alas, much worthy material must be excluded here. This article and its supplements are designed for readers browsing for specific information, as well as those hardy souls who may wish to read it straight through. The main document offers a thematic overview of early modern discussions of the emotions. Separate links lead to documents devoted to the pre-history of the topic, as well as to some of the most important individual figures in early modern philosophy. Hope this helps! Mark brainly please this took me a lot of time!
