During the sixteenth and seventeenth centuries, Spaniards tried to explain the exercise of Aztec painting via the lens of the EU art concept. Their rhetoric and iconography, which constructed a distorted view of painting in Aztec Mexico, potentially tell us less about that practice than it does about the anxieties and expectancies of individuals who produced those texts and photographs. As students have recommended, the art of portrayal might also have furnished a domain for touch and compatibility among Aztecs and Spaniards.
Whilst Aztec emperor, Montezuma had a well-known disagreement with Spanish conquistador Hernán Cortés. He initially welcomed Cortés but, while unable to shop for him off, laid a entice in Tenochtitlán. Cortés, but, took Montezuma prisoner, hoping to prevent an Aztec attack.
When Moctezuma went to fulfill them at Huitzillan, he bestowed gifts on Cortes he gave him flora, put necklaces on him hung garlands around him, and put wreaths on his head. Then he laid out before him, the golden necklaces, all of his items for the Spaniards.
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