The Power of the Dog, which is now streaming on Netflix as well as playing in theaters, may seem like an exquisite but slow-moving character study for the majority of the film. But in the final 15 minutes of Jane Campion‘s critically-acclaimed western, the plot suddenly kicks into high gear. What you thought was merely a haunting slice-of-life movie suddenly feels like a thriller, because The Power of the Dog ending comes with a plot twist that will leave audiences reeling.
The story is based on the 1967 novel of the same name by Thomas Savage. Savage was a gay man—though not openly so at the time—who based parts of the plot and characters on his own experience as a teenager growing up on a ranch in Montana. That said, the story is still largely fictional—or, at least, so one hopes.
The Power of the Dog ending is as dark as it is shocking, and Campion—who both directed and adapted the script from Savage’s novel—doesn’t exactly spell out what happens for viewers. If you weren’t paying close attention, you may have missed some key details. Don’t worry, because Decider is here to help. Read on for The Power of the Dog plot summary and The Power of the Dog ending explained.
Answer:
I feel like animal rights would most likely draw someone in, it sure would draw me in!
Explanation:
Imagery refers to the mental images and figures that writers create in the mind of their readers. By using specific vocabulary and literary techniques, writers can create certain images in readers' minds. Sensory imagery, therefore, refers to the use of specific words that connect the readers' senses (touch, smell, sight, hearing and taste) with the ideas developed in the writers' work in order to create a mood, idea or theme in their minds.
In this poem "To Cecilia" (written by Ben Jonson in 1616) we can appreciate some examples of these sensory imagery:
In this poem, the writer is contemplating and admiring the woman's beauty and, in the first paragraph, we can observe that the use of the word "eyes" in the first line make us think that the writer is looking at her, contemplating her beauty. In this case, he connects the readers' sight with such idea.
As another example of sensory imagery, in "Or leave a kiss but in the cup And I'll not look for wine", the writer is trying to connect his/her feelings to kiss the woman with the taste of wine. The writer is trying to connect his/her desire to taste her kiss and he/she successes in connecting that idea with one of the readers' sense: taste.
The last example that can be identified in the poem is at the end. The writers talks about the rosy wreath that he/she has sent to his/her loved one and how she has sent it back to the writer. But the writer talks about its smell. By doing so, the writer tries to connect that smell of the rosy wreath with the readers' own sense, that is, the sense of smell.
