Some of the main ways the peripheral route persuasion is used is through positive emotions and celebrity endorsements.
<h3>What is peripheral route persuasion?</h3>
This refers to the type of persuasion that is used indirectly with the use of peripheral clues to associate positivity with a message.
Hence, we can see that your question is incomplete as you did not include the answer choices, so a general overview is given.
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The only option that is not a part of the hepatic portal system is the; Jugular Vein.
<h3>How to identify parts of the hepatic portal system?</h3>
The hepatic portal system is the venous system that returns blood from the digestive tract and spleen to the liver (where raw nutrients in blood are processed before the blood returns to the heart).
The Large veins that are considered part of the portal venous system are as follows;
- Inferior mesenteric vein
- Gastric Vein
- Cystic Vein
Thus, the only option that is not a part of the hepatic portal system is the Jugular Vein.
The missing options are;
(a) Superior mesenteric vein
(b) Gastric vein
(c) Jugular vein
(d) Cystic vein
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Uhmmm ma’am/sir i am not sure what’s going on exactly
There are different definitions of blueprints. The blueprints for creating a person stored and communication is called gene.
DNA is known to be the blueprint of life. This is due to the fact that it has all the instructions needed for an organism to grow, develop, survive, thrive and reproduce.
Blueprints is known to be the one that instruct and direct the making of Buildings and as such DNA directs the " construction" of cells and organisms.
Genes are known to be the blueprints for the making of humans are stored and communicated in our genes. They are simply the basic units of genetic information.
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The primary body part involved in that activity is b. la cara
<h3>What is a Verb?</h3>
This refers to the part of speech that makes use of action words to show their function in a sentence.
Hence, we can see that based on the complete text, there is the narration of the activity in which the narrator is engaged and la cara is primarily used as the narrator touches her face often.
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