Answer:
Semantic memory
Explanation:
Semantic memory is the part of our memory. Semantic memories are all about the facts that we all gather in our life when we all were young. these are the memories that are not related to our emotional or personal experience.
There are some semantic memories such as:
- It is to be known that grass is green.
- It is to be known that how scissors work.
- To recognize the color of the pencil, pen, etc.
- To know how to use a cell phone.
Thus here in the above context, Shelly has been used semantic memory in which she gets information about facts such as the president of the United States.
Renaissance<span> began in Italy during the 14th century and reached its height in the 15th. In the 16th and 17th centuries it spread to the rest of </span>Europe<span>.</span>
A- Those who ascribe to a philosophy of naturalism readily embrace the possibility of miracles.
Technical feasibility is concerned with issues such as political repercussions of using an information system and meeting the requirements of the information privacy act.
<h3>How would you define technical viability?</h3>
Technical viability An exhaustive analysis of the project's input, processes, output, fields, programs, and procedures is known as a technical feasibility study. It works wonders for long-term planning and problem solving. The technological feasibility assessment should primarily complement an organization's financial data.
<h3>How should a technical feasibility study be written?</h3>
- Recap your strategy. To start your technical feasibility analysis, provide a summary of your strategy.
- Make a decision regarding your unique selling proposition.
- Be prepared for all obstacles....
- Think about your finances.
Learn more about Technical feasibility: brainly.com/question/14208774
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Answer:
Bop established the primacy of virtuosic solo improvisation. From the measure of the artistry and virtuosity of the solo improvisers.
Explanation: Bebop was a sort of "underground" jazz movement in its early years. Its developers and practitioners met in the after-hours of New York's jazz clubs, experimenting with new harmonic and melodic idioms during jam sessions that would sometimes last until dawn.
-Focused on improvisation and solo virtuosity in individual solos, not melody, but focused on harmonics.
The emergence of bebop melodies or "heads."
Bop tempos were faster than any jazz had ever been. This was not dancing music, and it was never really intended to be popular. It was jazz for the artists themselves and for the true jazz lovers.