Answer:
Explanation:
<u>Verrocchio had to be trained as an artist under the master before he could receive commissions and patronage.</u>
He was first train goldsmith before switching to art. It is not much known about his life, but it seems he was working under the master Fra Filippo Lippi who was a Renaissance painter in Prato.
Only after years of training did Verrocchio receive the patronage of Medici family. Famously, his work was encouraged by Piero and Lorenzo de’ Medici whose family was leading art patron in Florence of hat time.
Instrumental music throughout the Renaissance was closely associated with vocal music. Only at the Sistine Chapel in Rome, and at a few other chapels with choirs of competent singers, was polyphonic church music consistently sung unaccompanied. Elsewhere the organ, lute, viols, or other instruments accompanied, doubled, or substituted for voices, and organists developed a huge repertory of music for use in church services, including preludes, interludes, and arrangements of liturgical melodies. In secular music, the lute remained popular both for solos and in ensembles; clavier instruments were coming into wider use, and hundreds of pieces were written for chamber music ensembles.
Answer:
It continued a convention of medieval artworks, which was to communicate religious ideas.
Explanation:
This altarpiece allowed the pilgrims to respect Saint Antun. These opened inner wings represent the Saint Antun, the place of honour at the centre of the corpus and at his side a pig is portrayed.
