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vodomira [7]
3 years ago
12

To get a great sports photograph, you need to do what? Anticipate the action Stay as far back from the action as possible Use a

macro setting All of the above
Arts
2 answers:
Elden [556K]3 years ago
4 0
All of the above to get a great photo
Nutka1998 [239]3 years ago
4 0
To get the best photograph ever you would want to use all of the answers above!!
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Fauvists, such as Maurice Utrillo, were known for their A. nationalism and respect for nature. B. use of unusual and unnatural c
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Fauvists, such as Maurice Utrillo, were known for their (B) use of unusual and unnatural colors.
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Diegetic sound: Comes from a source within a film's world and could be heard by characters. is intermittent sound is sound that
lora16 [44]

Answer:

Comes from a source within a film's world and could be heard by characters is the correct answer.

Explanation:

Diegetic sound is defined as a noise that comes from the screen; some examples are dialogs from other people, footsteps, motors, and so on. Since it comes from the screen itself, characters can listen to it but they don't have to react to it. Diegetic sound is different from Non-diegetic, since this last one refers to the sounds that don't come from the screen, such as music or special effects.

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3 years ago
What is a master piece
Harman [31]

Answer:

master piece

Explanation:

It is like something good and mind blowing ands awesome that is a master piece art or puzzle.

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Explain why the 1960's proved revolutionary for the anime industry in Japan?
Dmitry_Shevchenko [17]

Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.

One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.

The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.

Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.

Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.

Explanation:

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A documentation is intended to
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Provide information or evidence
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