Answer:
1. Northeast Asia
2. Atlantic and Pacific (I think)
3. Siberia and western Alaska
4. It was exposed when the glaciers formed, absorbing a large volume of sea water and lowering the sea level by about 300 feet. The water level dropped so much that the ocean floor under the shallow Bering and Chukchi seas was exposed, forming a land bridge that both animals and people could traverse.
Explanation:
Brainliest PLZ!
Answer and Explanation:
This means that a theory which leads to imposing moral standards universally without regard to people's historical and psychological differences are based off of subjectivism and lack any form of thorough investigation(normative science). This is self explanatory in the question where it says "...postulates moral truths enunciated by self-evident intuitions that are unchangeable". Moral standards such as this are mostly based on traditions that are subjective and are not given to transparency. This is opposed to when questions may be asked and investigations come into play as to why a particular moral opinion is taken enabling a society appreciate or understand a moral stance based on it's historical, cultural or psychological origins.
The answers are an imaginary audience for the boy and personal fable for the girl. Imaginary audience is a state mostly exhibited by adolescents, wherein they falsely believe that someone or everyone is watching his behavior fondly. Personal fable is the most distinct reason to explain the risk-taking actions and decisions of teenagers, in this stage, they focus on themselves more than they do towards others, also they assume they are invulnerable and invincible.
According to Christopher Baugh, the invention of electric lighting beginning in the 1880s allowed for the exposure of the inherent artificiality of both the carpentered and painted stage forms, making them look more two-dimensional especially with respect to their three-dimensional scenic partners.
Prior to the use of electric lighting, gas or oil was used as the fuel to produce soft and gentle lighting that allowed for the blending of the carpentered and painted stage forms with the three-dimensional elements in the stage.
