There must always be people willing to bear the risk of new business undertakings in addition to simple risk bearing, however it is necessary to have people who will control and co-ordinate the various factor of production such people could device the nature, the quantity, the quality and the distribution of new products as well as becoming the risk of success of failure.
Answer:
I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant and eye-like windows.
Answer:
Roald Dahl used dramatic irony to create a suspenseful yet intriguing scene for the readers. It captures our attention and did it so well as to entice us to know what the ending will bring.
This dramatic irony makes the readers so engrossed in anticipation, eagerly awaiting the moment the crime may be solved.
Explanation:
In his story "Lamb to the Slaughter", Roald Dahl used dramatic irony to reveal the true events and to maintain the suspense. The dramatic irony is seen when the audience knows the happenings in the story but the characters have no idea about it.
Likewise, the police officers who came to investigate the death of their fellow detective Patrick Maloney who had been killed in his own home. As readers, we know that he was killed by his wife Mary with a <em>"leg of lamb"</em> that she was planning to make for dinner. Then, when the officers accepted to have dinner with their dead colleague's wife, they had the very same murder weapon for dinner, the <em>"piece of evidence" </em>that they need to prove the murder. The best scene is when they admitted the weapon may be <em>"right under our very noses"</em>, which it literally is, on their plates.
This dramatic irony provides huge suspense and also some hilarious results/ effects for the readers. It allows us to feel or see the side of the story that before the characters do, but more importantly it builds the suspense for how the story will end.
Answer: A. It may be a little small, but I can wear it.
Explanation:
