Alfred Doolittle is a smooth-talking garbage man, a serial monogamist (although he's not always really<span> married), a drunk, and a deadbeat dad. He's got a lot to say about "middle class morality" and complicated theories about the deserving and undeserving poor. He has principles, too, but they're not exactly conventional: he has no trouble milking five pounds from Higgins, but he doesn't want anymore than that. He wants just enough money to have a few drinks and some fun.</span>
In order to understand Doolittle, you have to understand how he speaks. This exchange is notable:
<span>DOOLITTLE ["most musical, most melancholy"] I'll tell you, Governor, if you'll only let me get a word in. I'm willing to tell you. I'm wanting to tell you. I'm waiting to tell you.
HIGGINS. Pickering: this chap has a certain natural gift of rhetoric. Observe the rhythm of his native woodnotes wild. "I'm willing to tell you: I'm wanting to tell you: I'm waiting to tell you." Sentimental rhetoric! That's the Welsh strain in him. It also accounts for his mendacity and dishonesty.</span><span> (2.232-3)</span>
He is the sum of his mysterious speaking ability. You can describe what Doolittle's saying with all sorts of fancy Greek words, but it's enough to note how he repeats those three phrases that Higgins singles out, and how his speech is sort of singsong-y. Whether or not we believe what Doolittle's talking about doesn't matter, it sounds nice. These skills get Doolittle into trouble when Higgins nominates him for some such speaking position…and he gets it, along with a generous income. He can't handle all the money; he doesn't want to be "touched" – asked to spare some change – in the same way he touched Higgins.
<span>Doolittle demonstrates how powerful and potentially dangerous words can be. Lucky for us, his intentions are (mostly) honorable. He's the character most prone to lecturing – yes, even more so than Higgins – and though his theories may not be entirely logical, his little sermons do raise some issues regarding class relations. Think of him this way: he's a stereotype of a drunken poor guy…with an oratorical twist.</span>
Answer:
what is your favorite food?
Explanation:
You said what is your favorite food in pig latin.
Evaluating everything you read, hear, and see in the media
Answer:
Jem and Scout as of now understand that Dill will in general misrepresent a piece when he recounts his life in Meridian, Mississippi. They're never certain which stories are valid and which are definitely not. while the kids are attempting to figure one more route for Boo Radley to turn out away from any detectable hindrance, Dill makes reference to that he trusts Boo must have a major, long whiskers. Scout demurely reacts, "Similar to your daddy's?" Dill answers that his dad doesn't have a facial hair, however then understands that he may have prior told Jem and Scout an alternate story previously.
Scout had gotten him in a falsehood, however Dill basically clarified that his daddy had shaved it off the past summer.
Explanation:
The Open Window Summary. Mr. Framton Nuttel has just moved to a new town. While visiting one of his sister's acquaintances, Mrs. Sappleton, he spends some time with the woman's niece, Vera. Vera recounts a story about how her aunt lost her husband and two brothers in a tragic hunting accident.
