Answer:
Explanation:
The day following the attack on Pearl Harbor, President Franklin D. Roosevelt asked Congress for a declaration of war against the Empire of Japan. He described failed negotiations with the Japanese and the destruction of the attacks. He sought to emphasize the historic nature of the events at Pearl Harbor, implicitly urging the American people never to forget the attack and memorialize its date. Notwithstanding, the term "day of infamy" has become widely used by the media to refer to any moment of supreme disgrace or evil
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
Answer:
According to the selection from “The Worms of the Earth Against the Lions,” Wat Tyler’s ultimate goal was to
1. Make all men equal in freedom, rank and power.
2. Destroy the church
3. Eliminate hierarchy.
He did all these by attempting to murder the top class men, then killing the archbishop and divided the estate of the rich to the commoners.
One of Adam’s drawbacks in his music career was that he was unable to understand the guitar and bass in counterpoint.
In music, counterpoint is the connection between voices that are harmonically associated yet free in beat and form. The term is taken from the Latin punctus contra punctum signifying "point against point".
