It is the settings because a setting mention to the physical action of an artist on stage that will influence the response of the audience. It is very key in a drama or theater. If an artist is not doing an suitable actions based on the story, the audience will not get the memo that the artist relay. Settings are not typically established in other written stories because there are no audiences rather only readers. so settings are well defined in dramas or theater.
Hi Aarroy,
Who is your favorite fictional character? It doesn't have to be someone from a classic novel unless your teacher specified. It can be a character from a movie you love etc.
In order to write a "descriptive" paragraph, all you have to do is describe the character you choose using vivid language. For instance, if I was writing about Darcy from Pride and Prejudice I could write;
<em>"He has silvery blue eyes and an intimdating stature."</em> etc.
Just write about your character's appearance as well as his personality.
Metaphors are comparisons that do NOT use <u>like</u> or <u>as</u>. For instance, I could write:
<em>"Darcy's personality is an onion; with an outward appearance that first appears cold but whose inner layers reveal his insecure and fragile nature."</em>
I know that sounds like a mouthful, but I am comparing Darcy's personality to an onion without using like or as, which is a metpahor.
Sampson, George, and Rameck should without problems have followed their formative years friends into drug dealing, gangs, and prison. Like their peers, they came from poor, single-discern houses in urban neighborhoods where survival, not scholastic fulfillment, was the priority. whilst the 3 boys met in a magnet excessive college in Newark, they identified every other as kindred sprits that wanted to overcome the notable odds against them and attain for opportunity.
They made a friendship p.c., figuring out collectively to take on the largest challenge of their lives: attending college and then clinical and dental schools. along the manner they made errors and confronted disappointments, but by operating difficult, locating the proper mentors, keeping apart themselves from bad influences, and supporting each other, they completed their desires–and greater.
In We Beat the street , The three doctors collaborated with award-triumphing YA author Sharon Draper to deliver their childhood, teenage, and younger-person anecdotes vividly to life. The short “conversations” with the doctors at the cease of every chapter provide context and recommendation in a pleasant, non-intrusive manner. younger readers can be captivated by the men’s sincere money owed of the road lifestyles that threatened to swallow them up, and how they helped every other be triumphant beyond their wildest desires.
I would love to help but I’m afraid that there’s a book that is behind this and I haven’t read it so I wouldn’t know how to answer these questions.
