Answer:
To,
The family of Mr. Albert
Date : 12 January 2021
It is very unfortunate for us to hear the demise of such a great human like Mr Albert. The earthquake last month made a lot of damage and took our loved ones from us.
Unfortunately Mr. Albert was one of them. He was a helpful person in nature and was very serious about the development of the society. He was a well wisher of our school and helped our institution many times in many ways. My deepest condolence lies with teh family.
Head master
XYZ Public school
One reason for making a new outline of your work while revising is to make sure that all the new and necessary information you need to edit and put in (or maybe delete as well) are included in your work. This is to minimize wasting of the time and leaving out important details in the revision.
Answer:
Assuming the word in bold is childhood, the correct answer is C. direct object.
Explanation:
It’s relatively easy to spot a direct object in a sentence - you can just ask the question Whom (for people), or What (for non-humans) to find it.
So here, the sentence is Carol spent her childhood at the beach.
If you ask the question, What did Carol spend at the beach?, you will get the answer - Her childhood. That way, you know it’s a direct object.
1. First, Shakespeare wrote his plays in blank verse featuring iambic
pentameter because that was the style of the day. Think of it as a way
for an author to show off--and it really is quite impressive if one
thinks about it. There are very few authors who can create characters
and plots as rich as Shakespeare's and write their lines in a consistent
meter.
2. Secondly (I think that this might be what you are asking), when
Shakespeare's characters speak in verse (iambic pentameter), they are
usually the noble (aristocratic) characters, and their speech represents
their high culture and position in society. If you simply look at one
of Shakespeare's plays, you can often tell when the commoners are
speaking because their lines will go from margin to margin (this is
true, too, of nobles who are acting like commoners--whether they're
involved in evil schemes, losing their minds, or are drunk!). In
contrast, Shakespeare's other characters' lines should sound and look
different to you--they should sound "sing-songy" and should look like
poetry with uneven lengths.
A good example of this is from Othello. When Iago is speaking to his
peers or to those in position of authority over them, his speech is in
verse, but when he is plotting and talking to Roderigo (especially at
the play's beginning), his lines are not in iambic pentameter--this
represents the bawdy nature of his speech and, in truth, the baseness of
his character.
