Of course, they were calls that Hays himself, working behind the scenes, had helped to make overwhelming — and he used the pressure to force filmmakers to toe his line and obey the new Production Code he eventually promulgated."The code sets up high standards of performance for motion-picture producers," Hays proclaimed when the new code was unveiled. "It states the considerations which good taste and community value make necessary in this universal form of entertainment."Among those considerations: that no picture should ever "lower the moral standards of those who see it" and that "the sympathy of the audience shall never be thrown to the side of crime, wrongdoing, evil or sin."There was an updated, much-expanded list of "don'ts" and "be careful," with bans on nudity, suggestive dancing and lustful kissing.The mocking of religion and the depiction of illegal drug use were prohibited, as were interracial romance, revenge plots and the showing of a crime method clearly enough that it might be imitated.
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Answer:
Chicago
Explanation:
By the late 1940s, several Chicago-based blues artists had begun to use amplification, including John Lee Williamson and Johnny Shines. Early recordings in the new style were made in 1947 and 1948 by musicians such as Johnny Young, Floyd Jones, and Snooky Pryor.
Answer:
•The film invokes fear through the mental state of the characters.
Explanation:
noir is a kind of film discribing 'black' . or the theme of the movie is black .
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