Savage is used to describe how vicious and violent the boys have become and the animalistic behaviour that they have started to grow
The Lost World<span> is a novel released in 1912 by </span>Sir Arthur Conan Doyle<span> concerning an expedition to a plateau in the Amazon basin of South America where prehistoric animals (</span>dinosaurs<span> and other extinct creatures) still survive. It was originally published serially in the popular </span>Strand Magazine<span> and illustrated by New-Zealand-born artist </span>Harry Rountree<span> during the months of April–November 1912. The character of </span>Professor Challenger<span> was introduced in this book. The novel also describes a war between </span>indigenous people<span> and a vicious tribe of ape-like creatures.</span>
Answer: wants to stop the boys from having fun at his expense
Explanation: The narrator hated that the other boys were so absorbed and interested in his proceedings with the shop girl. The narrator wished that the boys were in Jericho. The narrator told the shop girl that he will put the other glove on in the street, indicating that he wants to leave her shop to escape those boys, which will stop them from having fun at his expense.
I hope that this helps.
Answer:
Look for an example of a simile or metaphor within chapters 7-9 of The Autobiography of an Ex-Colored Man. Write the example in the space below, indicating the chapter it is from and what is being compared. What does this simile or metaphor do in the text? In other words, how does it help the reader?
A reader who has not been told that James Weldon Johnson’s The Autobiography of an Ex-Colored Man is a novel can be forgiven for not knowing how to classify it. When it was first published, anonymously, in 1912, the book included a preface from the publisher, written almost exactly as Johnson proposed, that described it as a “new picture of conditions brought about by the race question in the United States” (p. xxxiii). The preface suggests that what follows is a sociological study. But in the novel’s first paragraph, the unnamed narrator tells us that he is “divulging the great secret” of his life, moved by “the same impulse which forces the un-found-out criminal to take somebody into his confidence” (p. 1). This beginning prepares us for a confessional narrative such as those by St. Augustine or Jean-Jacques Rousseau. Exemplifying the capacity of novels to absorb other genres, The Autobiography of an Ex-Colored Man is a sociological study in terms of its analysis of the dynamics of race, class, and geography, and a confessional narrative, albeit a fictional one. But it is as a novel that Johnson’s book engages us most urgently, in that the story of its narrator’s life is ultimately a plea for the reader’s understanding.
