An Infinitive Phrase because it starts with "to"
I believe that you are talking about the work "Persepolis" written and designed by Marjane Satrapi. If that is the case, Satrapi uses a chronological framework to tell her story, showing how the Islamic revolution has interfered in her life from childhood to adulthood, as well as showing how her family has been affected over time. This type of structure is efficient for communicating with an audience interested in history and impacting revolutions on life and ordinary people. Regarding the style, we can see that Satrapi used a simpler style, without striking details, showing that the story was more adult and dealt with strong and not childish themes.
"Persepolis" is an autobiographical grafic novel, where the author shows the development of her life within the Islamic revolution in Iran.
Answer:
Wednesday - It's Wednesday and I'm planning to go the mall.
February - I plan on finishing this project before the end of February.
affect - The aftermath of the hurricane affected everybody in town.
effect - The medicine that was given during the surgery has a lasting effect on my mind.
Both "Witness to the Tragedy" and "Hope Survives in Search for Katrina's Missing" portray the scenario that took place in cities affected by the violence of Hurricane Catrina. However, in "Witness to the Tragedy" we are presented with a more personal account. The article written in first person shows the destruction and sadness of families to survive during the violent flood that was established in the region. First-person language makes the story personal and exciting.
"Hope Survives in Search for Katrina's Missing", however, reports the search for people who were not rescued at the time of the tragedy, have been lost to their families and are being sought, alive or dead. Although this article has a less personal and emotional tone than the first, the article uses a first-person language that manages to bring the reader closer to the author and provide a strong empathy for the exposed theme.
