Answer:
In a previous lesson, students explored the politics, culture, economics, and social trends in Germany during the years of the Weimar Republic (1919 to 1933), and they analyzed the strength of democracy in Germany during those years. In this lesson, students will continue the unit’s historical case study by reexamining politics in the Weimar Republic and tracing the development of the National Socialist German Workers’ (Nazi) Party throughout the 1920s and early 1930s.
Students will review events that they learned about in the previous lesson and see how the popularity of the Nazis changed during times of stability and times of crisis. They will also analyze the Nazi Party platform and, in an extension about the 1932 election, compare it to the platforms of the Social Democratic and Communist Parties. By tracing the progression of the Nazis from an unpopular fringe group to the most powerful political party in Germany, students will extend and deepen their thinking from the previous lesson about the choices that individuals can make to strengthen democracy and those that can weaken it.
This lesson includes multiple, rich extension activities if you would like to devote two days to a closer examination of the rise of the Nazi Party.
The Harlem Renaissance (also called the New Negro Movement) was a social, cultural, and artistic movement of African-American writers and painters between about 1920 and 1930.
The Harlem Renaissance was the first flowering of African-American art that went beyond individual works. Similar to the jazz era, the movement was triggered by the mass exodus of African-Americans from the southern states to the north (Great Migration). In New York's Harlem district, the African-American Philip Payton had taken over the real estate market from 1904 to a large extent. Since that time - and especially in the 1920s - Harlem had become synonymous with African American culture as the black middle class lived there.
The anthology The New Negro (1925), edited by Alain LeRoy Locke, had a major impact on the movement, in which the philosopher and critic collected prose, poetry, plays, and essays from a new generation of African-American authors. In his preface, Locke described the migration from the southern states to the north as "a kind of spiritual liberation" through which Afro-American art was able to develop its own identity for the first time - beyond the white role models. In the art of the Harlem renaissance also African traditions, African-American traditions as well as gospel and jazz play a big role. White writers, especially the journalist and photographer Carl van Vechten, also supported the movement - and were influenced by it. The patron Charlotte Mason employed and promoted a number of artists, but also had her own understanding of Native American and African American culture.
The bloodiest day is also known as the Battle of Antietam
Answer:
the expansion
Explanation:
the expansion of credit in the 1920's allowed for the sale of more consumers.
Thomas Aquinas was a very influential friar in his field of religion. He was a philosopher, theologian and jurist in scholasticism, which is critical thought around the idea of dogma. This was taught extensively in universities and Thomas Aquinas teachings on it were used for many years either to further his ideas or to oppose them. He was a big proponent of natural theory which is where God is the sole purpose behind the behavior of various types of nature.
