<span>In these two stories or literary novels"Sixteen" by Maureen Daly and "Through the Tunnel" by Doris Lessing "who are both authors or wordsmiths, Maureen Daly and Doris Lessing" uses a theme, subject, or topic matter of their characters or dramatis personae who are wanting to prove, validate, and justify themselves to someone. However, the differences, distinctions ,or variation of these two stories or literary novels becomes starkly useless , entirely obsolete, and exhaustively and consummately kaput when who or whom the two characters or dramatis personae aspire to prove, validate, and justify themselves to. In "Sixteen" by Maureen Daly the principal character, main character, or dramatis personae seems to be attempting or trying really and truly hard to prove, validate, and justify herself to the reader, that she is insightful and perceptive enough and popular enough to congruous be telling this story or literary novel. But in "Through the Tunnel" Jerry attempts or tries really and truly hard to prove, validate, and justify himself to the older, mature looking men he looks up to and withal to himself. Throughout each story or literary novel, the characters or dramatis personae attempt or try to prove, validate, and justify something to themselves or other people or characters. In Doris Lessing's short story or literary novel"Through the Tunnel"" by Doris Lessing" the principal character, main character, or dramatis personae who or whom we can apperceive or apperceive as Jerry opportunely accommodated or made acquaintance himself with a group of older, mature looking men hanging around in a wild-looking bay, cove ,or estuary full of rocks. These two completely and totally different short stories or literary novels "Sixteen" by Maureen Daly and "Through the Tunnel" by Doris Lessing are both chock full of kindred spirits predicated on the absolute fact that both characters or dramatis personae attempt </span> <span>or try to prove, validate, and justify something to someone, but they are different because those someones are different in these two stories or literary novel. While both stories or literary novels are starkly different in subject, theme ,or topic matter that both principal characters, main characters, or dramatis personae attempt or try to prove, validate, and justify themselves to someone. In "Sixteen," by Maureen Daly it is the reader. In the story or literary novels "Through the Tunnel," by Doris Lessing it is the older, mature looking men and later himself that makes Jerry to push past his inhibitions and fears and conquer or overcome them . The second homogeneous or same attribute or kindred characteristic between the two stories or literary novels is that the people or characters who had transpired to repeal the principal characters, main characters ,or dramatis personae which of course whom never present themselves again, are the leading cause that prompts both characters or dramatis personae in these two stories or literary novels by of course being ostentatious with their earnest and veracious and genuine general and exhaustively simply authentic and true feelings and motivations all throughout these two stories or literary novels.</span>
Franz Kafka's "The Metamorphosis" is about the shocking transformation of Gregor Samsa into an insect. The short story seems to focus on the theme of isolation, aloofness, and the inability to socialize.
The one element that shows that Gregor's transformation is more than physical is that he detests the taste of milk. The sweetened milk that his sister had left for him at his door was a repulsive thing for him. The author reveals that he did not like the taste at all,<em> "[though] Milk like this was normally his favorite drink".</em>
- Enjambment - an idea carried from one line to the next
- Caesura - a pause in the middle of a line
- Quatrain - a stanza made up of four lines
- Stanza - a group of lines in a poem
- Couplet - a stanza made up of two lines
- Octave - a stanza made up of eight lines
- Sestet - a stanza made up of six lines
Explanation:
The given terms related to poetry have been appropriately matched to its definition above.
Enjambment is the literary device in which an idea is continued across a line break without any punctuation to mark a stop or end. It is commonly employed in poetry for continuing a rhythm/idea without any restrictions.
Caesura is demonstrated as the metrical pause in a poetic line at the end of a phrase and before the beginning of another. It is denoted by a comma, two lines, tick, etc. It allows the author to add a dramatic and emotional touch to the idea.
A Quatrain is defined as the stanza consisting of four lines. It is a very popular form employed in poetry to add structure and rhythm.
Stanza is described as the 'group of lines' with a specific rhyme and meter. It helps in giving form to the ideas in a poem.
Couplet is a couple of lines rhyming at the end which allows rhythm in poetry.
Octave and sestet are the stanzas consisting of eight and fourteen lines respectively. They together contribute to formation of petrarchan sonnet.
