“Thank You, Ma’am” by Langston Hughes is a young delinquent named Roger and a woman named Luella Bates Washington Jones who takes him in after he attempts to steal from her. Throughout the story, the woman shows kindness towards Roger even though he tried to steal her purse. This causes him to have a change of heart and realize his mistakes toward the end of the story. He is comforted by Luella as she gives him advice and feeds him. She also lets him wash up in her house. In addition, she talks to him about her childhood. She tells him that she was like him as a child.
From the moment he got caught stealing from her, it was made clear that he showed her manners. Later into the story, Roger develops a sense of trust for her. He also becomes more polite. When Luella mentions that he was probably hungry to have tried to steal her pocketbook, he tells her it was because he wanted a pair of blue suede shoes. He also tells Luella there is no one at his home. This reveals to the reader how Roger is not inherently a bad person and has learned from his mistakes by the end of the story. This also shows how Roger’s character develops throughout the story.
I think that the correct answer is B.<em>
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Answer:
“I met my father for the first time when I was 28 years old. When I had children, my children were going to know who their father was.” So vows Chris Gardner, an earnest salesman and father desperately struggling to make ends meet on the hard streets of San Francisco in the early 1980s. But his chosen vocation, peddling expensive bone-density scanners that most physicians don’t want, has left him and those he loves hovering on the brink of disaster.
Day after unsuccessful day, Chris comes home to his dispirited girlfriend, Linda, and their 5-year-old son, Christopher. Linda pulls double shifts to stay within striking distance of solvency, all the while chastising Chris for his failure to provide. Predictably, she doesn’t think much of his latest brainstorm: securing an internship at the stock brokerage firm Dean Witter. Linda’s bitterness and negativity may wear on Chris, but they can’t dampen the weary salesman’s delight in his son. Christopher is the apple of Daddy’s eye.
Then Linda leaves Chris (and their son) for a job in New York. She’s barely out the door when Chris learns he’s been offered the coveted internship. The catch? It’s unpaid. Despite the financial risk, Chris decides to go for it, frantically juggling his schedule to get Christopher to and from day care each day. But dwindling savings quickly result in an eviction from their apartment. And then another from a motel. Soon, father and son are homeless, staying in city shelters on good nights and in public restrooms on the worst.
As his desperation mounts, Chris clings tenaciously to the hope that his hard work will eventually pay off. And his dogged pursuit of a better life forges a powerful father-son bond that no misfortune can destroy.
“You’re a good papa.” Those tenderhearted words from Christopher to his father as they spend the night in a homeless shelter poignantly capture the essence of The Pursuit of Happyness. Chris isn’t perfect, but one emotional scene after another clearly demonstrate his drive to protect and provide for his son. What won’t trip them up—and might even breathe new life into their own relationships—is Chris Gardner’s powerful, passionate pursuit of the best life possible for his little boy.
Explanation:
<span>The correct answer is that he expresses regret for his previous behaviours. The expression of regret heard in his prayer about the murder of his brother underlines the complexity of his character, as although this was an act that seemed at first as if it was all he desired, we later learn that the character is not implicitly evil and is able to feel regret.</span>
Answer:
Death is one of the foremost themes in Dickinson’s poetry. No two poems have exactly the same understanding of death, however. Death is sometimes gentle, sometimes menacing, sometimes simply inevitable. In “I heard a Fly buzz – when I died –,” Dickinson investigates the physical process of dying. In “Because I could not stop for Death –,“ she personifies death, and presents the process of dying as simply the realization that there is eternal life.
In “Behind Me dips – Eternity,” death is the normal state, life is but an interruption. In “My life had stood – a Loaded Gun –,” the existence of death allows for the existence of life. In “Some – Work for Immortality –,” death is the moment where the speaker can cash their check of good behavior for their eternal rewards. All of these varied pictures of death, however, do not truly contradict each other. Death is the ultimate unknowable, and so Dickinson circles around it, painting portraits of each of its many facets, as a way to come as close to knowing it as she can.
