The statement here is true.
The journey into the abyss or the underworld is an essential step on a hero's journey. It symbolizes the evolution of a hero, who will be later reborn as savior and would transform in a man that will be able to accomplish his destiny. Here the hero shows the willingness to improve himself as he separates from all that he has known.
What’s the statements and situation?
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
The short story “Civil Peace” has been written by Chinua Achebe. The thieves in the story are very bold and arrogant. But when Jonathan's family began to yell, the thieves responded to them by helping them. The thieves threatened them and mocked at them. They mocked them by crying out as the way Jonathan's family was crying out. The story is set in Eastern Nigeria right after the end of the Civil War.
The titles of short stories and poems should be punctuated in quotations marks.
