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Elza [17]
2 years ago
5

How is color and the principle of design balance connected

Arts
1 answer:
siniylev [52]2 years ago
8 0

Answer: Balance in design covers how the visual weight of elements are balanced with each other on both sides of a design to create cohesiveness, completion, and satisfaction. To achieve optimal balance, your composition should be balanced vertically, horizontally, diagonally, or background versus foreground. If you don’t have a sense of balance with your designs, then the viewer’s eye won’t know where to look and what you’re trying to communicate may not get across because areas of less interest can easily go unnoticed.

Explanation:

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nationalistic music

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3 years ago
What is depicted in the image above?
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I'm assuming "dudes and dudettes bathing in the sea" isn't the answer you're looking for, so I'll be serious. This picture is called "The Triumph of Venus", which depicts an iconic image of Venus, the goddess of beauty, who was born in the water and arrived on the land.

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2 years ago
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How does the world mack so much food
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Answer:

People all around the world make and produce food for a living so I'm guessing people wouldn't all of a sudden stop wanting money so they have to food. LOL

Explanation:

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3 years ago
Which ballerina performed the following pieces inspired by natural images: Dragonfly (1915), California Poppy (1915) and the bes
koban [17]

Answer:

Michel Fokine (1880 – 1942)

Explanation:

He entered in 1889 at the Marinsky Imperial Theater Ballet School in St. Petersburg, where he graduated in 1898, and, almost immediately, became part of the company. He soon stood out for his magnificent technique and expressiveness, which allowed him to ascend to a solo dancer in 1904 and to a school teacher the following year. Almost simultaneously, Fokine began his career as a teacher and choreographer, with the Ballet Dream of a Summer Night (Mendelssohn, 1902), Acis and Galatea (Kadletz, 1905) and La Viña (Rubinstein, 1906), staged by Your own students.

In 1905, the dancer Anna Pavlova commissioned a ballet for a concert in the Hall of Nobles in St. Petersburg. Fokine created for her The Death of the Swan (Saint-Saëns, 1905), a two-minute solo that became the symbol of the new reform of Russian ballet, tending to abandon the classical formulas of Marius Petipa.

He was the main protagonist of the success in the West of Russian ballet, possibly greatly influenced by the antithechnic of Isadora Duncan, although his revolutionary style did not cause any dent in the Russian public conservative.

According to him, the only reason for the technique was to serve expression, and music must be entrusted to true composers and not to simple compositional professionals; Only then would ballet achieve a complete unit of expression of all its elements. Thus, when in 1909 Diaghilev invited him to join the Ballets Russes as the main choreographer, Fokine accepted willingly, because he could finally put his ideas into practice, which rejected conventional mimicry and advocated the integration of dance, music, plot, scenery and costumes in one unit.

3 0
3 years ago
What is depicted in the image below?
Elenna [48]

Answer:

*Gulp* A n-naked girl. EWWWWWWW

Explanation:

3 0
2 years ago
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