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elena-14-01-66 [18.8K]
4 years ago
6

According to "Introduction to Cultural Rebellion: Mid-Twentieth-Century Voices," which statement best reflects one difference be

tween postwar science fiction writers and writers of the beat generation?
Postwar science fiction authors wrote to encourage society to prepare for nuclear war, while beat generation authors wrote to protest the Vietnam War.

Postwar science fiction authors wrote to condemn the cultural ideal of the era, while beat generation authors wrote to satirize the cultural ideal of the era.

Postwar science fiction authors wrote to warn society of the potential results of its values, while beat generation authors wrote to reject society’s values.

Postwar science fiction authors wrote to celebrate technological advances, while beat generation authors wrote to embrace simple living and nature.
English
2 answers:
mash [69]4 years ago
7 0

Postwar science fiction stories and books were questioning the thought and culture during the Cold War. The stories were discussing how individual identity meets with the moral, political and social issues of the period. Set in near future, in dystopia or in technologically advanced world, the authors tried to make people think about the realities of possible threats and dangers of a society.

In comparison with that, beat generation of the postwar era was not about the preservation or quest of the societal values. By introducing alternatives, such as sexual liberation, psychedelic drugs and spiritual quest the authors were rejecting values.          

The correct answer is the third option

qwelly [4]4 years ago
6 0
<span>Postwar science fiction authors wrote to warn society of the potential results of its values, while beat generation authors wrote to reject society’s values. </span>
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Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.

Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.

Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument.

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events she writes about?

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

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